Tequila Patron

How much fun was it to share shots of Tequila Patron with Irma Galvan, Ted Estrada and Jose Solis in Brownsville last night? I haven't seen either of them since they moved to the valley. Irma and I drove from Houston with a truck filled with Maximus coffee cans, blue wine bottles and various pieces of metal pipe fittings from Valero's salvage yard - all raw materials for Second Seating chandeliers. Both of these artists make very interesting stuff and I am really pleased that they've agreed to participate in this installation. How many more shots of Tequila Patron will we share as we formulate ideas and create a fantasy or two?

The Real Houston

'Seeing the East End for the first time again' is an old article written by Houston Business Journal's Bill Schadewald that really identifies some of the character of this oldest part of Houston. I remember reading the piece when it was originally published in 2000. Just came across it again when I Googled for East End coffee processing in an effort to get some up-to-date facts and figures on one of our neighborhood's major industries.
I like Schadewald's last sentence, "Economic conditions may ebb and flow, but the East End will always be one of the first places to go to find the real Houston."
That statement certainly contains one of the inspirations for 'Second Seating.' Too few people know where Houston's heart lives. Maybe a group of artists and East End businesses can change that lapse of knowledge. We're working on it.

New Studio Move In and A Lot of Old Stuff

It's not only warm today with brilliant blue skies, but with a friend, I moved a lot of the materials for 'Second Seating' into a wonderful new and BIG space where I can see everything all at once - and I'll know moment by moment just how 'Second Seating' is shaping up - or not shaping up.



I must remeasure the actual installation space at Irma's and then use masking tape on this studio floor to map out the area I'll need to fill with work.


Just by moving in some tables today, I can see that with dozens, make that hundreds, of folks looking at the installation, I'll need to have fewer 'Second Seating' table simply for traffic flow. That probably means more chandeliers and more montages on the walls and ceiling.

We moved eight small square tables from Irma's storage and put them all together to form the base for 'Banquet' which will become a massive table covered with all that fabulous fabric salvaged from Hurricane Ike and then piled high with vintage china, bowls, sugar cathedrals, flowers, candelabra, fruits, vegetables and lots of tshatshkes from the East End.

Also moved things from my home studio and more stuff that was originally stored in a POD after Queta and I cleaned out the garage last January. Has it been a full year? It has. A full year since we emptied that garage and packed so many 'things' away for this exhibition or for the girls or for giving away. I suspect all 'things' will eventually make their way into 'Second Seating.'

Such a lot of stuff. The hope is that I'll sell most of it during the exhibition. After all, this is all about vintage and recycled stuff from folk's trash, garage sales, resale shops, closets. Perhaps it will all turn into a personal purge of quite wonderful belongings.


It's hard for me not to dash into Value Village on Harrisburg - where yesterday I found an old hand painted souvenir tray with a view of Niagara Falls. Surely that tray will make its way onto the 'Banquet' table.

And I've decided to buy odd silver plate spoons and forks because I am beginning to think that they will make a wonderful mobile-like chandelier. Hope the other artists involved in this effort will think so too. Irma and I are off in two weeks to deliver crushed beer cans and white plastic Clorox bottles as inspiration and a first step toward a couple of magnificent lighting fixtures.

Warhol Foundation Initiative: The Idea Fund Meets 'Second Seating'

January 6, 2009 is a very good day. I'm back in my own house, my eyes did not open until nearly 10:00 a.m., body and soul are rested from hours and hours of sleep. And that is only the context for this very good day. At 10:15, I returned a call from Diverse Works and learned that I am one of ten Houston artists to receive The Idea Fund grant made possible by a Warhol Foundation Initiative. Happy new year!

I have to say that receiving this grant just gave my whole psyche a boost. A really big boost. There is something so important about having others believe in your idea and frankly, 'its worthiness'. And 'Second Seating' now has a terrific credential that will make it so much easier for me to gather additional funding from East End businesses and private underwriters.

Thank you, Diverse Works, Aurora Picture Show and Project Row Houses for selecting 'Second Seating.' It was one of over 100 applications and one of ten 'winners.' Thanks for 'seeing' that 'Second Seating' works on several different levels: as art, as community building and as promotion for an old urban neighborhood and its industries.

After hearing about the other winner's projects, I 'see' that each of theirs will also work on several levels. 'Second Seating' is in good company.

This week I am moving 'stuff' for 'Second Seating' into large studio space - meaning that it's just about the size of Irma's exhibition space - so that I can begin the real work of manifesting these tables and chandeliers and scrims/tablecloths. This studio space is another really big gift for this project. I knew when I asked and the answer was yes that 'Second Seating' was meant to be.

So, tomorrow morning I have an appointment with another potential funder. I'll have lots to talk about. The Warhol Foundation may just be the magic words that will make this a project with which they want to be involved, even with layoffs and economic tough times. That will certainly be the hope.

I'm off to Irma's for a late lunch and a look at the tables and chairs that she's collected to see if any can be used for 'Second Seating.' If so, I'll add them into the inventory at the studio on Harrisburg. Which, by the way, needs a name. No, not the actual name of the building or owner, but a 'Second Seating' name.


And later this month, Irma and I will drive to South Texas to talk about tin can chandeliers and table top ideas with Jose Solis and Teodora Estrada, two artists who'll be joining this project. Above is a tin can piece Jose made years ago that I bought for the Greater East End Management District. Call it it sun and an apt visual for the district's tag line, "The New Day Begins.'

It's also time to get back with Jesse Sifuentes, an East End muralist who'll be a part of 'Second Seating'. I believe The Idea Fund grant will make 'Second Seating' more real to these three artists and that we will now begin work in earnest.

Back to The Idea Fund. Here's what the Aurora Picture Show's website says about it:

"Through the Warhol Foundation Initiative, Aurora Picture Show, DiverseWorks and Project Row Houses have come together to support art at its source by providing direct grants to artists. The Idea Fund recognizes that Houston is home to a vibrant and energetic arts community, and that adventurous ideas deserve adventurous support.

The Idea Fund provides cash awards to Houston-based, artist-generated or artist-centered projects that exemplify the unconventional, interventionist, conceptual, entrepreneurial, participatory, or guerrilla artistic practices that occur outside of the traditional frameworks of support.

The Idea Fund provides cash awards to up to 10 artists, associations of artists and/or curators that create and showcase new work that involves the public via process, production, or presentation. The Idea Fund will accept proposals from artists/curators focusing on the visual arts, performance, film, video, new media, social practice, and interdisciplinary projects.

Projects may include an exhibition or exhibition series; a public art project; a one-time event or performance; the ongoing work of a collective, collaborative, or artist space; an online project or publication; an artist residency; a series of screenings; and more. The Idea Fund seeks to support new works with the resulting project activities accessible and presented to the public."

Happy new year 'Second Seating' !

Task: Gathering

It's been a very good few days for 'Second Seating.' The letters I sent and the phone calls I made two weeks ago are reaping return calls and appointments. As CK used to say, "We've moved the meter." Hurray for that. I am assembling more packets of information about 'Second Seating' and I'll get them in the mail before I fly to Seattle. I'm hoping that most of the recipients will be having a couple of quiet days between Christmas and New Year's, meaning that they just might take a good look inside those packets and be responsive when I call for a visit.


On Tuesday I drove over to the Valero Refinery on Manchester to look at scrap metal that they sell off or leave to rust away like these old flanges. Those flanges also look like skillets or chargers so they may make it on to a table.

I think we can use the nuts and bolts for a chandelier, albeit a very heavy chandelier. All of this stuff will be fun to show to the several other artists who will play parts in creating 'Second Seating.' In fact, after the holidays, I need to write more about each of them and what they will bring 'to the table(s).'

Made a visit to Maximus Coffee to discuss a 'coffee' table constructed with hundreds of mugs and vintage coffee percolators. Response was so positive that I'll begin work on that table in January. Right after New Year's, I'll pick up dozens of coffee cans from Maximus and Irma and I will take them down to Jose Solis in the valley. We'll be talking chandeliers.' Big chandeliers'

Trish has a collection of old percolators that may become part of an elaborate stacked centerpiece on the coffee mug table. I never really looked at old percolators before I photographed Trish's last Sunday. I have the feeling that I'll be haunting Value Village, The Guild Shop and garage sales in search of many, many more.


I have to say it's tough to write about these conversations and visits with East End businesses. They are all leading to something, but conversations are part of a gradual process during which folks become excited and eventually want to play a part in the whole. Writing about anything until there is a commitment is premature. Like a wine, relationships need time and the right conditions to blossom, reach fruition. Am I mixing metaphors here?

Mixed metaphor or not, I am making a decision right now to talk about funders and partners only AFTER they've signed up. For now, this blog will focus on the 'hows' of making the art. There will be more than enough to talk about.

By the way, my clothes dryer has been non-functioning for several weeks. Service man has been here and we thought it was fixed, but it isn't so I've waited another week for a second service call on Friday. You ask, why am I mentioning my clothes dryer? Well, I think the vent and all the insides were clogged with velvet lint from all the washing and drying of those mildewed and sodden brocades and velvets I salvaged from a garage flooded by Hurricane Ike. My dryer couldn't take it and succumbed. Expensive salvage job - is that a business expense of 'Second Seating'?

Just Because

Posted this photo because what's not to love? Tomorrow I get back to work on 'Second Seating' after a week of filling a notebook with very good ideas and lists of 'stuff to do.' Tomorrow morning it's 'onward.' It's after midnight now and the two hour time change - backwards - just lost its steam.

More Inspires

Last night I backed up several thousand digital photos on a secondary hard drive and then spent an hour today deleting many of the same images from my laptop. Oh, and I can't simply delete images in large nameless groups. It took me almost an hour to move three thousand to the trash because I pondered over each one, even knowing that they were all backed up, still accessible.

I told Mary today that when I'm an old lady with signs of early dementia, I'll be easy to amuse. Just give me a screen and lots of images to consider. There is nothing I like to do more.


Here are some images I loved today and which may end up in 'Second Seating'. They include a hand painted china tea cup and saucer (scroll back upwards) and some really nice carnations we saw at Fred Meyer.


Please take a good look at all the images in this post and tell me next year when the installation is done whether or not you recognize any of them projected on those ceiling scrims. From whence comes my inspiration today.

There was the fruit garnish on my breakfast plate this morning along with a warm bread pudding made with chard, sausage chunks and cheese.

I have really good breakfasts in Portland because both Mary and Queta see breakfast as their favorite meal so they have found, and continue to find, wonderful little places that serve terrific breakfasts - and lattes too.
The day after Thanksgiving, Dave and Queta mixed up leftover cornbread stuffing, a little cranberry sauce, mashed potatos all together with green chiles in a cast iron skillet. They baked the whole thing in the oven after they dropped four eggs on the top. It was divine.

The image below is simply a pleasant photograph of the crackers we ate with an assortment of goat cheeses and Tillamook cheese curd. The dish has been in our family for several generations and Mary took ownership of it when Mom and Dad moved from Houston to Seattle for good.

Mary and I ate Thai for lunch today. We didn't leave much on our plates, did we?